I
finished reading the Chronicles of Narnia to my two oldest tonight. “You do not
yet look so happy as I mean you to be,” Aslan tells the children after they
have run without tiring deeper and deeper and higher and higher into existence.
What a line. The fourteenth century Sufi poet Hafiz wrote, “God wants to see /
More love and playfulness in your eyes / For that is your greatest witness to
Him.” So happy as I mean you to be. Gentle Lucy replies, “We’re so afraid of
being sent away, Aslan. And you have sent us back into our own world so often.”
Aslan says, smiling, “Have not you guessed? . . . The dream is ended. This is
the morning.” The real story begins then, the undying story in which every
chapter is better than the last, perhaps the story Lucy read a fragment of in
that magician’s room in The Voyage of the
Dawn Treader, the one she “never could remember; and ever since that day
what Lucy means by a good story is a story which reminds her of the forgotten
story in the Magician’s Book.”
For the past year or so, we’ve been reading these books
together. My children lose interest a lot, but when Aslan shows up, they are
all attentiveness. They love that Lion. So do I. For weeks after I saw the film
version of The Lion, The Witch, and The Wardrobe,
I read my scriptures differently. I saw Jesus as the muscular, brawny, humble,
gentle God-man that He is. I sensed His hidden, muted power.
When Lucy and Peter and Edmund and their friends ran up a
waterfall at the speed of a unicorn without tiring, my kids’ thoughts turned to
the resurrection. They trust absolutely and implicitly that death is not the
end of life and that it’s not something to fear. They have been close to those
close to death. When Julie’s grandfather died, Emerson was very small. For days
after Sandy passed away, my small son would run into the room where he had
stayed, calling, “Gampapa!” They know we’ll see him again. They sense the sense
in that, the truth that life is too holy to ever really end. They often ask if
we’ll see someone we know and haven’t seen for a while in the resurrection. Or
someone from the scriptures. Or even from movies sometimes. “Does everything
happen again in the resurrection?” Lydia asked one day. “What do you mean?” “I
mean, like will I be a kid again? Or a baby?” “Well, I don’t know. . . . I
think we’ll have a perfect knowledge and maybe a perfect memory. So maybe it’s
something like that . . . .” When I was trying to teach Emerson to ride his
bike without training wheels, he fell. “I don’t want everything to happen again
in the resurrection!” he wailed, “Because I don’t want to fall off my bike
again.” Well, if that’s the worst thing he’s experienced . . . .
As we were reading the last chapter of the series, Emerson
said, “If I’m going to die, I just want to die soon. But if I’m not going to
die, then I just want to not die.” I was a little confused, but Lydie caught
his logic. “Yeah,” she said, “because I want to see what it’s like from Heaven,
but I kind of want to stay here. Because Dylan’s here.” (Dylan’s the boy who
almost kissed her once at lunch). They don’t fear death. It is another bright
adventure, a foray into the radiant unknown. I’ve thought about this idea quite
a lot myself—when I want to die and why. Because it’d be nice to be alive during
the Millennium, but you’d miss out on the Spirit World completely. I’m not sure
if this is really what I want, but it might be lovely to die with Julie two
days before Jesus comes again in a cloud and in glory. We wouldn’t know the
experience of being changed in the twinkling of an eye. But if our kids were
still small, we’d be able to raise them in Millennial peace, we as glorified
beings, and they as translated children. That is, if we died without them. We
could be a whole glorified family. But I think it’d be nice for them to have
some earthiness to them still. And then Julie and I would be able to experience
disembodied-ness, to know what it feels like to have been physical and then to
lose it. We’d be able to see what spirits see and know what they know. But the
disembodied, they say, view death as a bondage. There are certain things that
come with physicality. Like kissing. As I knelt across the altar at the temple
the other day and heard words spoken of the morning of first resurrection, I
imagined that bright morning enjoying the party but wanting to sneak off to
some corner apart in this bright universe to be alone with Julie—to hold each
other and kiss again like new lovers, like newlyweds. Yes, yes, the party is
fine. Yes, yes. But that first resurrected kiss. Ah.
And then, we’d reunite with our kids in the air. They’d come
flying to the beaming warmth descending from the east. Their bodies quivering
with joy. The very air singing. We’d fall on each others’ necks and weep and
kiss and join the dazzling song. Then we’d descend to the newly renewed earth
and raise them in a world without sin. What will that look like? These are the
sorts of questions Lewis gets at in these books. What will all this really look
like?
One
Saturday I was reading The Lion, the
Witch, and the Wardrobe to the kids. I would usually read at night to Em
but we were getting to the part in which the White Witch kills Aslan, and I
wanted to read it in the daytime. So Lydie joined us. She had read part of it
before with Julie but couldn’t remember much, so Em and I caught her up. I was
impressed with how much my golden-haired boy had retained. (Tonight as we
finished the last chapter, we read about how they approached the green hill and
saw the tops of trees whose leaves were silver and whose fruit was golden. Emerson
told me, “Silver is kind of like gray, but it almost has sparkles in it.” Lydia
asked, “Dad, do you like silver or gold better?” I told her I like silver
because it is the color of my wedding ring and my ring reminds me that mom and
I will be married forever. Emerson told me he likes gold better because his
hair is golden.)
Emerson
could tell his sister the whole story. And they get the idea that Aslan is a
symbol for the Savior. Anyway, I was reading the part where Aslan goes to be sacrificed,
and I was telling them that Aslan was stronger than the White Witch and
stronger than the giants and dwarves and hags and cruels and spectres and
everything there. I wanted them to know that Aslan only got killed because he
let them kill him, just like Jesus. “Thinkest thou that I cannot now pray to my
Father, and he shall presently give me more than twelve legions of angels.” A
Roman legion was six thousand soldiers. That would have been something to see:
seventy-two thousand angels against a few men and boys with swords and staves.
But the gentle, compassionate, powerful Son of God walked into their violent
embrace. But as I was telling the kids all the people that Aslan was stronger
than, Emerson looked at me wide-eyed and asked, “Is he even stronger than you?”
Good to know that in his misperceptions, I am strong. (A sidenote on
that note: One night I was reading the Sermon on the Mount to my kids, and I
was telling them that I think Jesus is the best teacher who has ever lived,
that I love the way He teaches. Emerson looked at me in wonder and asked, “Is
he even a better teacher than you?” Oh, yes. Almost as strong as Aslan, and
almost as good a teacher as Jesus. That’s me, Emerson’s dad. I love the
misperceived world from his good son’s eyes.)
I finished reading The Voyage of the Dawn Treader a few
months ago to Lydia and Emerson. It was a holy experience. I started crying as
soon as Reepicheep throws away his sword,
and I pretty much didn’t stop until several
minutes after we finished the last page. While I was reading, Emerson sat up suddenly and pointed excitedly at the
ceiling. “I see a cliff that the people
jump off onto a bridge! And a penguin going off the bridge!” Lydie examined the ceiling and declared that she saw the
same thing, except the cliff. Emerson clarified
that the cliff went all the way up to the
wall. Then she saw it. And another penguin. When we got to the part in the book where Aslan tells Lucy and Edmund they will not return to Narnia but will come to know him, Aslan, by another name in their own world, I turned with tears running
down my cheeks to Lydia and asked, “Do you know what that name
is?” All choked up, she replied, “Yes.
Jesus.” Then she started to sob. When we closed the book, she curled into me and shook with sobs. Emerson
stood up and looked at the two of us in
tears. “I’m the only one who doesn’t have to
cry for joy,” he said, and he ran downstairs to find The Silver Chair. Lydie and I lay snuggling each other and
sniffling a little. I kissed her forehead
and told her, “I love you.” She choked back in a small voice, “I love you, too.” Then, to make
sure I heard it, she said it again, this
time a little louder. A holy experience.
We
watched Prince Caspian one night when
Julie had to work. You remember how it ends with that sad, lovely song by
Regina Spektor as Susan and Peter tell the Narnians goodbye for the last
time—Aslan has told them they will not return. It’s a wonderful sadness
captured in song and story. Just the right sadness. Well, as we were walking
upstairs to brush our teeth, Emerson, all choked up says, “I’m just so sad that
Susan and Peter will never go back to Narnia.” “I know,” I tell him, and he
begins to sob, a heartfelt, sympathetic, wonderful, cathartic cry. I look at my
small, sensitive child and my heart dances with gratitude. He is a boy after his
father’s heart. How I love him.
I have
loved reading these books with my children. The process was an exercise in
waiting for Aslan. So many apparently mundane moments. And then the arrival of
the Lion. A glint of mane, a scent, a sense. I think our lives are like that—we
live sensing there is always something more, waiting for Aslan to breathe on
us, to sing, to roar. We hurt inside and hurt each other and hurt ourselves,
but then the Lion comes and none of that matters. Our broken pieces are picked
up and somehow, miraculously mended. We follow Him, a parade of joy into a city
of light. This is the morning.
Makes me want to read Narnia again from start to finish! And yes, I'm always half-listening for that silent footfall that makes the rough places plain. Beautiful as always.
ReplyDeleteBreathtaking.
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